A sales pitch for the tepid take
I wasn't going to post about him, but here we are.
Twitter was already a corporate entity, and had been struggling with how to market and position itself anyway. Not to mention, its free speech woes — irrevocably tied to those of its competitors — are not surprising. If anything, Mr. Musk was something of a golden ticket: someone to hand everything over to.
The influx/exodus cycle started before the news was official… Muskovites joined/returned to Twitter in droves, opponents found scrolls bearing ancient Mastodon tutorials and set up their own mini-networks (let’s leave that irony steaming in the corner for now).
None of this is new: businesses are bought and sold all the time, the right to free speech is never unconditional (and nor should it be), and the general populace move and shift and migrate betwixt different services, platforms, apps, and spaces all the time.
What seems new, or at least different, about these latter media trends, issues, events, is the sheer volume of coverage they receive. What tends to happen with news from media industries (be they creative, social, or otherwise) is wall-to-wall coverage for a given week or two, before things peter out and we move on to the next block. It seems that online culture operates at two speeds: an instantaneous, rolling, roiling stream of chaos; and a broader, slightly slower rise and fall, where you can actually see trends come and go across a given time period. Taking the Oscars slap as an example: maybe that rise and fall lasts a week. Sometimes it might last two to four, as in the case of Musk and Twitter.
How, then, do we consider or position these two speeds in broader ‘culture’?
Like all of the aforementioned, Trump was not a new phenomenon. Populism was a tried and tested political strategy in 2015-16; just, admittedly, a strategy that many of us hoped had faded into obsolescence. However, true to the 20-30 year cycle of such things, Trump emerged. And while his wings were — mostly — clipped by the checks and balances of the over-complex American political system, the real legacy of his reign is our current post-truth moment. And that legacy is exemplified by a classic communications strategy: jamming. Jam the airwaves for a week, so everyone is talking about only one thing. Distract everyone from deeper issues that need work.
This jamming doesn’t necessary come from politicians, from strategists, from agencies, as it may once have done. Rather, it comes from a conversational consensus emerging from platforms — and this consensus is most likely algorithmically-driven. That’s the real concern. And as much as Musk may want to open up the doors and release the code, it’s really not that straightforward.
The algorithms behind social media platforms are complex — more than that, they are nested, like a kind of digital Rube Goldberg machine. People working on one section of the code are not aware nor comprehending of what other teams might be working on, beyond any do-not-disturb-type directives from on high. As scholar Nick Seaver says in a recent Washington Post piece, “The people inside Twitter want to understand how their algorithm works, too.”1
Algorithms — at least those employed by companies like Twitter — are built to stoke the fires of engagement. And there ain’t no gasoline like reactions, like outrage, like whatever the ‘big thing’ is for that particular week. These wildfires also intersect with the broader culture in ways that it takes longer-form criticism (I would say academic scholarship, but we often miss the mark, or more accurately, due to glacial peer review turnarounds, the boat) to meaningfully engage and understand.
Thanks partly to COVID but also to general mental health stuff, I’ve been on a weird journey with social media (and news, to be fair) over the past 3-5 years. Occasional sabbaticals have certainly helped, but increasingly I’m just not checking it. This year I’ve found more and more writers and commentators whose long-form work I appreciate as a way of keeping across things, but also just for slightly more measured takes. Tepid takes. Not like a spa but more like a heated pool. This is partly why I started this newsletter-based journey, just to let myself think things through in a way that didn’t need to be posted immediately, but nor did I need to wait months/years for peer review. Somewhere beyond even the second trend-based speed I mentioned above.
What it really lets me do, though, is disengage from the constant flow of algorithmically-driven media, opinion, reaction, and so on, in a way where I can still do that thinking in a relevant and appropriate way. What I’m hoping is that this kind of distance lets me turn around and observe that flow in new and interesting ways.
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Below the divider
At the end of each post I link a few sites, posts, articles, videos that have piqued my interest of late. Some are connected to my research, some to teaching and other parts of academia, still others are… significantly less so (let’s keep some fun going, shall we?).
Hot takes from 2010: ‘The Web is dead. Long Live the Internet.’
Clive Thompson, ‘Of “Algospeak” and the Crudeness of Automated Moderation’, One Zero.
Casey Aonso, ‘Was the Buzzfeed era a fever dream?’, YouTube.
Reed Albergotti (2022, 16 April), ‘Elon Musk wants Twitter’s algorithm to be public. It’s not that simple.’ Washington Post.